Canon XF300 High Definition Professional Camcorder

Canon continues to innovate and improve image receiving products for the most asking for professionals .
The Canon XF300 Professional Camcorder benefits 50Mbps MPEG-2 4 :2 :2 recording to Compact Flash ( CF ) Cards for optimum image quality as well as efficient , robust workflow at a low priced charge . It is preferred to complement the conditions of the electronic newsgathering ( ENG ) crews , individual filmmakers , documentary makers , event videographers and military agencies .

Canon XF300 High Definition Professional Camcorder

Utilizing file-based MPEG-2 compression with an MXF File Wrapper assures the greatest adaptability with existing commerce system , metadata and non-linear editing ( NLE ) systems . And 4 :2 :2 color sampling presents ultra-fine transitions in overall tone and shades for retaining the finest quality image to be used in sophisticated post production .

Canon XF305 High Definition Professional Camcorder

Canon keeps on to innovate and develop image acquisition products for the a large amount competing professional . The Canon XF305 Professional Camcorder features 50Mbps MPEG-2 4 :2 :2 recording to Compact Flash ( CF ) cards for unequaled image excellence and efficient , sturdy workflow at a low priced price tag .

Canon XF305 High Definition Professional Camcorder

It is perfect to match the prerequisites of the digital newsgathering ( ENG ) crews , individual filmmakers , documentary companies , event videographers and armed forces organizations . Utilizing file-based MPEG-2 compression with an MXF File Wrapper assures the greatest compatibility with existing industry 

Nikon 40mm f/2.8G AF-S DX Micro NIKKOR Lens for Nikon Digital SLR Cameras

The AF-S micro nikkor 40mm f2 .8 G is passably fast or bright, contrasty and exceedingly sharp lens, but like all its siblings in the Nikkor Micro (Macro for former brands) standardised lenses. It comes out that Nikon has repeatedly improve and surpassed expecteds value therein "special purpose lenses" category. Historically, every Nikkor (brand for Nikon lenses) which are stamped with "Micro-Nikkor" are stellar performers and tops its class versus other sellers, this new AF-S DX Micro Nikkor 40mm f2 .8 G is no elision.

Nikon 40mm f/2.8G AF-S DX Micro NIKKOR Lens for Nikon Digital SLR Cameras

This lens is the recent of the nice dating from the Micro Nikkor 55mm f2 .8 AIS mount manual focus lens of former 1980s, its FX-format (35mm film) equivalent is the higher specs current model Nikon AF-S Micro Nikkor 60mm f2 .8 G ED N which works as a 90mm on the smaller DX-format DSLR. This is an similar bayonet Nikon "G" mount single focal distance (prime) DX lens suited to Nikon DX-format APS-C sensor based Digital SLR cameras. It has a "standard" view angle that is more or less "human eye linear perspective" as exclaimed by SLR camera providers.

Nikon 18-200mm f/3.5-5.6G AF-S ED VR II Nikkor Telephoto Zoom Lens for Nikon DX-Format Digital SLR Cameras

Let's say you a typical amature photographer. You take all rather pictures all told rather conditions. So what lense would be the optimum?.

Nikon 18-200mm f/3.5-5.6G AF-S ED VR II Nikkor Telephoto Zoom Lens for Nikon DX-Format Digital SLR Cameras

You can most likely live with some tiny distortions but nothing gives as much freedom as a wide range zoom. If you shoot inside the camera a room, you really should 18 m on a low end. The smaller the amount the wider the angle and the more individuals you can crush into the frame coming from the other side of party board. Every mm here creates a big divergence. So 18 mm for your low end is pretty much a desires.

Nikon 18-55mm f/3.5-5.6G ED AF-S DX Nikkor Zoom Lens

The Nikon 18-55 is one of those rare pieces of glass that surprisals across the board -- I find that it is far superior to the more too expensive Nikon 18-70 kit lens now packaged with most new Nikon dSLR's. The 18-55 is not only a third of the price, but it is crisper and clearer at 18, and superb sharpness from 35 - 55.

Nikon 18-55mm f/3.5-5.6G ED AF-S DX Nikkor Zoom Lens

There is next to no barrel distortion at 18, certainly less that the 18-70. And there's been not anything better than a 6 ounce lens to carry to parties, events, and dinners party, rather than those pound + lenses. I highly strongly suggest this lens.

Nikon 70-300mm f/4.5-5.6G ED IF AF-S VR Nikkor Zoom Lens for Nikon Digital SLR Cameras

Never has my estimation of a lens changed so dramatically more or less quickly as in real of this 70-300mm VR from Nikon. My first copy, owned about a year ago, was perfectly mediocre in nearly any and all way.

Nikon 70-300mm f/4.5-5.6G ED IF AF-S VR Nikkor Zoom Lens for Nikon Digital SLR Cameras

It was fuzzy at 300mm, no better than passably sharp under 200mm, threw nice colours and enough focus performance but was no fun to lease simply because of its mucilaginous zoom ring and "hidden" focus ring.

Nikon 24-70mm f/2.8G ED AF-S Nikkor Wide Angle Zoom Lens

The only just thing that was able to possibly cause this lens any beneficial would be a nice VR system about it. And coming from the rumormill, it would appear that within a year just about there will be an updated types of this lens with VR.

Nikon 24-70mm f/2.8G ED AF-S Nikkor Wide Angle Zoom Lens

How they need to keep the lens from being whopping with the VR system has yet to get noticed but taking up they can keep the the latest dimensions (or even shrink them a little) and include the VR, it an unvanquishable lens as a way for years to come up!

Nikon 55-200mm f/4-5.6G ED IF AF-S DX VR [Vibration Reduction] Nikkor Zoom Lens

This lens is crisp even at wide apertures, the VR (image stabilization) works outstanding, autofocus speed is more acceptable, and it it is Very light and compact. The basic fact the store's it costs $ 250 and has effective VR is pretty awful - no early company offers up a lens with this feature for anyplace near this price.

Nikon 55-200mm f/4-5.6G ED IF AF-S DX VR [Vibration Reduction] Nikkor Zoom Lens

As for ikon quality, lookup the various on line photo sites, as well as dpreview and nikonians for sampling photos infatuated this lens by literal users. The results are so perfect! My copy brings forth alike upshots. The former reviewer requirements a horrible sample.

Nikon 55-300mm f/4.5-5.6G ED VR AF-S DX Nikkor Zoom Lens for Nikon Digital SLR

This lens is extraordinary. Especially for the $399 lens. Our concern was whether it not it had a plastic or metal mount since some DX lenses therein price range have plastic. Even adjoined Nikon and they could n't (or would n't) tell me.

Nikon 55-300mm f/4.5-5.6G ED VR AF-S DX Nikkor Zoom Lens for Nikon Digital SLR

You will really very happy to see that it comes with a metallic element mount. It has a neat solid feel thereto. The zoom motion is smooth and I have n't had any trouble with lens creep as i 'm aiming it downward. Even as i point currently the camera downwards and rock it, it wo n't creeping.

Nikon 35mm f/1.8G AF-S DX Lens for Nikon Digital SLR Cameras

With a compact, sleek and stylish design, the AF-S DX NIKKOR 35mm f 1.8 G renders the high reproductive memory capability and image quality for which Nikkor lenses are most well known at an affordable price. The ring type SWM offers quiet AF operation. Eventhough all lens groups shift during focusing, the front element and filter mount don't rotate and the drum length does not change, which is educational when utilising filter mounted SB-R200 Wireless Remote Speedlight units.

Nikon 35mm f/1.8G AF-S DX Lens for Nikon Digital SLR Cameras

The AF-S DX Nikkor 35mm f 1.8 G optical design permits a different appearance to images smitten zoom lenses, and its dimensions are designed for discrete snapshots and landscape shooting using a picture angle that judges that of the eye. With its rounded seven-blade diaphragm opening, out-of-focus elements come along more natural. When put on on a DX-format SLR, the picture angle is the 35mm equivalent focal distance of 50mm.

Nikon 70-200mm f/2.8G ED VR II AF-S Nikkor Zoom Lens For Nikon Digital SLR Cameras

This professional-grade telephoto telephoto lens is very well made. Its focus is lightning fast and it brings forth very sharp photos with very reasonable contrast and dynamical colors whilst shot wide-open at f 2.8. The amplified sharpness at the corner is easily obtrusive even at f 2.8 and now makes this lens worthy for landscape shots. I find this multiplied sharpness at the corner good even for portrait shots as we shoot off centered rule-of-thirds portrait shots. The ameliorated color and direct contrast is easily noticeable in certain shots in back to back comparison against the VR1.

Nikon 70-200mm f/2.8G ED VR II AF-S Nikkor Zoom Lens For Nikon Digital SLR Cameras

The VR mechanism is very efficient and helpful in keeping the photos sharp even while shooting at low shutter speeds in low-light conditions. The 1-stop control over the former version, the VR1, makes a substantial difference, especially when shooting this lens from extended to maximum focal distance with no monopod or tripod support. Being able to shoot hand held at 1 10th at 200mm is no gentle task but it is entirely possible in this new version.

Nikon 24-70mm f/2.8G ED AF-S Nikkor Wide Angle Zoom Lens

I know what you 're believing : 17 hundred bucks or maybe more for your mere midrange zoom? There is nothing "mere" regarding it zoom! Wide open, Nikon's new workhorse is sharper than most primary lenses. That's right -- I shoot daylong at f 2.8 (I like resulting blurry backgrounds) and never, never shortcomings for sharpness. Being ready shoot f 2.8 in the evening does n't stink, either.

Nikon 24-70mm f/2.8G ED AF-S Nikkor Wide Angle Zoom Lens

Colors are vibrant, the bokeh (out of focus regions) is steamy, and you'll see spooks and flares  only when piping direct into the sun. And I 've never watched an autofocus do its affair so rapidly or with in such accuracy. I 'm picking up lots of shootings I used to miss.